Category Archives: Collage

Designer: Super Serge

Thank you to Emily (fantastic blog here) for introducing me to this great designer; Thomas Girault – whose CSS Award-winning portfolio website you should definitely check out here. His work is a  mix of photography, digital illustration, bright colours, patterns and text – creating some stunning compositions and visuals that feel both incredibly abstract and modern, while at the same time quite retro and aged through the black and white photography and textured backgrounds. I would absolutely love to see some large prints of his work.

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Designer: Mika Mäkinen

Really love the work of Mika Mäkinen (Art Director at the Great Apes Ltd) – At times feeling both digital and handcrafted textured (absolutely love the creased paper in “Lake”), and with a feel of both graphic design and illustration through fantastic, quirky collages and textures, and considered colour, compositions and typography. Especially love the surreal mixture of collaged photography (from modern to quite vintage-looking images) and digitised images. Definitely worth checking out his portfolio here.

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John Stezaker

Just come across the fantastic collage artist John Stezaker, after feeling the need to research the cover of the book I was reading on Appropriation. His understanding and visually intellectual use of the form of collage is really evident and striking – and the quite minimal (I hate how often that word is used, but it’s definitely relevant) appraoch to collage is a really nice contrast to what the form generally suggests.

“John Stezaker: My mother has always been horrified at how my work emerged out of childhood vandalism. I was into it from the beginning, seemingly. I cut up and defaced books, and was regarded as very naughty for doing it. I do still feel that guilt, there is something very peculiar about taking a scalpel which was invented for surgical purposes and cutting across the emulsion of a photograph. I don’t know why I felt it was necessary. It shocks me sometimes how violent my early work was. But you can only get a feeling of the inviolable purity and sanctity of the emulsion of a photograph by violating it.” Interview here: